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	<title>spectacle &#8211; To Archeio</title>
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		<title>Media and the Economic crisis of the EU: The &#8216;culturalization&#8217; of a systemic crisis and Bild-Zeitung&#8217;s framing of Greece</title>
		<link>https://toarcheio.org/items/media-and-the-economic-crisis-of-the-eu-the-culturalization-of-a-systemic-crisis-and-bild-zeitungs-framing-of-greece/</link>
		
		<dc:creator><![CDATA[apostolos]]></dc:creator>
		<pubDate>Mon, 04 May 2020 23:24:41 +0000</pubDate>
				<guid isPermaLink="false">https://toarcheio.org/items/media-and-the-economic-crisis-of-the-eu-the-culturalization-of-a-systemic-crisis-and-bild-zeitungs-framing-of-greece/</guid>

					<description><![CDATA[This article critically studies the hegemonic discursive construction of the EU’s current (2012) economic crisis, as it is articulated by political and economic elites and by mass media. The study focuses on the political economy of the particular crisis and through the critical concept of reification, the study emphasizes the hegemonic naturalization of the economic &#8230; <a href="https://toarcheio.org/items/media-and-the-economic-crisis-of-the-eu-the-culturalization-of-a-systemic-crisis-and-bild-zeitungs-framing-of-greece/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>This article critically studies the hegemonic discursive construction of the EU’s current (2012) economic crisis, as it is articulated by political and economic elites and by mass media. The study focuses on the political economy of the particular crisis and through the critical concept of reification, the study emphasizes the hegemonic naturalization of the economic crisis by the “free market” economistic ideology. The article problematizes the positioning of Greece as the “crisis epicentre” in Europe, understanding Greece as a scapegoat and as a laboratory where political strategies of capitalist restructuring of the EU are performed. Through the frame analysis of Bild-zeitung’s headlines on the coverage of crisis-struck Greece, the article discusses a) the “culturalization” of the crisis and the diversion from a structural public debate on the global economic crisis b) the disciplinary function of crisis’ publicity, related to social control and the production of new, neoliberal social subjectivities c) the alienating effect of the culturalist crisis discourses to transnational publics, resulting to the misrecognition of the ideological and structural reasons of the given crisis, the misrecognition of the effects of the crisis and crisis-politics in people’s lives, the misrecognition of popular socio-political struggles in countries worse struck by crisis politics, and the eclipse of transnational solidarity and identification to the common issues that European people in particular are facing.</p>
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		<title>Heritage spectacles: the case of Amphipolis excavations during the Greek economic crisis</title>
		<link>https://toarcheio.org/items/heritage-spectacles-the-case-of-amphipolis-excavations-during-the-greek-economic-crisis/</link>
		
		<dc:creator><![CDATA[apostolos]]></dc:creator>
		<pubDate>Tue, 16 Apr 2019 22:25:48 +0000</pubDate>
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					<description><![CDATA[This article explores the ways in which the archaeological excavations at Amphipolis, Northern Greece, were transformed into a ‘heritage spectacle’ during the summer of 2014. The article argues that the spectacularisation of Amphipolis excavations constituted a powerful, political medium for dis-orientating the wider Greek public from issues related to the severe economic crisis of the &#8230; <a href="https://toarcheio.org/items/heritage-spectacles-the-case-of-amphipolis-excavations-during-the-greek-economic-crisis/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>This article explores the ways in which the archaeological excavations at Amphipolis, Northern Greece, were transformed into a ‘heritage spectacle’ during the summer of 2014. The article argues that the spectacularisation of Amphipolis excavations constituted a powerful, political medium for dis-orientating the wider Greek public from issues related to the severe economic crisis of the country. Although the practice of heritage spectacularisation is not new, the media spectacle of Amphipolis introduced an advanced mechanism for spectacularizing archaeological research and the past. The article deconstructs this mechanism through a thematic content analysis of about 100 newspaper articles published in the Greek press, filtered through the lenses of spectacle theory. As it is demonstrated, the spectacularisation process of Amphipolis excavations is embodied by emotive dramatisation, banal cultural symbols, escapism and power imbalances. The article concludes with an interpretive framework for heritage spectacles while highlighting ethical and practical implications regarding the role of archaeologists and heritage practitioners towards political ‘abuse’ of heritage in times of socio-economic and political crises.</p>
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